Answer five questions that explore key concepts, theories, and ideas Assignment

Answer five questions that explore key concepts, theories, and ideas that have been explored in the lectures and in the required readings - Assignment ExampleAnalysis with consideration of a particular point of view is expressed through lightings of the film, sets, colour and the costumes used. In the film All That Heaven Allows, the dependence is on artificial set up that reflects false reality in terms of using the technique of colours. Colours that ar used in the film holds, meanings and different moods as brought out in the film.There are a number of possible pleasures that are offered in films as brought out by Laura Mulvey. One pleasure brought out is scopophilia that is practiced by the audience that are watching the film and the characters in the film. According to her, the film screen that is watched by the audience acts as a mirror through which the audience are able to see the fictional bodies of human reflected on the screen. Through this, scopophilic pleasure in Cinema s comes about from using another person as an reject of sexual stimulation through the view and identification (Makkai, 2013).In the film Vertigo, the pleasure is illustrated through the argument that ego of male is split in the object lesson of Scottie who is feminized through the identification that he makes with Judy. In the film, there is no demonstration of active male spectatorship but the pictures of the male spectator and therefore it is revealed that fascination of muliebrity that throws masculine identity into question and also to crisis. Scotties character is brought out under deem lighting and behind objects when he is spying on Madeleine exhibit a weak male character in the film (Makkai, 2013).Through the theories, there are approaches that are given to theatre as an art and are brought out as self-conscious of its own performativity. The theory also brings theatre as art being a complete turnaround from theatre that is more than realistic. He called his approach ep ic theatre contrary to dramatic theatre that he created (Martin & Bial, 2000). In epic theatre, a